Charles Chaplin said this is the best film about (not set in, but about) America, and with all the one-dimensional class envy stereotypes, it makes sense since old Charlie didn't care much for America. Just like the movie. 

Film centers on the dreary nephew (raised on the evils of Christianity) of a rich and powerful businessman. The kid falls in love with beautiful Elizabeth Taylor, who plays a beautiful society girl. But before that he (eventually learns he) knocked-up a working girl even more cliché than the rude-rich snobs being she's so pitifully somber, discontented, shabby and neurotic.

As for the gorgeous-looking couple the audience is supposed to care about: Literally within ten minutes of knowing each other, Taylor tells Montgomery Clift she's fallen in love with him, and while love happens fast in old movies, this was a record-breaker, and in that, a shark-jumper. Followed by the semi-intriguing Film Noir style murder plot/morality tale that's too little too late in this highly-regarded "classic" that not only doesn't stand the test of time, it lays down and falls asleep in the process. GRADE: D+

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