Showing posts with label neo noir. Show all posts
Showing posts with label neo noir. Show all posts

SPIDER-NOIR (2026)

For the last decade, Nicolas Cage has been in a never-ending cycle of "almost comeback" status: Every single movie that comes out are said to be game-changing roles... Here's another; following the original voice-over for the surprise Spiderverse hit that featured Spider-Noir as a side-character, now he's the Live-Action focal-point: A full-blown attempt to combine the old 1940's gumshoe device into modern times: and frankly, it doesn't always work... While always a cool cat on screen, Cage is too old now, and his voice, his narration needed for the typical pulpy cadence, is faltering and not edgy like it should be... Had this been 2010 Cage, it might work...

The special effects, like a villain with a face lighting on fire, is not only too CGI, but takes away from what's attempting a more hands-on/old-school approach... Within such an otherwise antique forum, the expensive special effects simply stand out too much... And the overall timing is mostly off (and fans of Spider-Man in general would not last 10 minutes watching those classic movies, or anything made before the 1990's, and they probably think that Christopher Nolan invented Noir): Cage's Girl Friday secretary over-acts and seems part of a sit-com; the femme-fatales are too breathy and hissy and cornball... And the several culprits (like the usual crooked politician) are too modernized to seem like the Golden Age of Hollywood story-telling that Spider-Noir sometimes tries too hard to replicate, while seeming awkwardly burdened from bringing something old to something new... Overall, despite the nice look and some neat thrills, the time period that should enhance the series is ultimately more of a story-structure bulwark. Basically, Spider-Noir worked best as the best character in an ensemble than when given his own picture. Episode 1 Rating: **

THE HUNTING WIVES (2025)

The Stepford Wives meets Twin Peaks meets The L Word  meets Desperate Housewives meets A Simple Plan (and some Gypsy, another Netflix series, thrown in)... About rich Texas Republicans who use every cliche (and red state reference) in the book, which is obviously overly deliberate, and thankfully the characters thaw out of their formidable shells into seeming more human than hackneyed... With a frame story about a gorgeous blonde teenage cheerleader whose death rocks the town, straight from that famous David Lynch series, but THE HUNTING WIVES isn't really ironical or weird, just extremely sexual...

The two main characters are Malin Akerman and Brittany Snow: one's older and hot and confident; the other's shy and mousy-cute, looks 22 when she's 40... Their lesbian romance is so overly hinted at and teased, there's not the necessary tension in their inevitable hooking up... Overall, despite the high-class-suburban conservative setting, things are so sensuously liberal that there's really no shock value in the nighttime soap opera elements... it's like lighting up a fuse that's already sizzling... But these two ladies are good enough in their opposites-attract attraction to keep the pulpy/page-turning (eventually neo-noir inspired) cadence worthwhile. Rating: ***1/2


ANOTHER SIMPLE FAVOR

Blake Lively in ANOTHER SIMPLE FAVOR Year: 2025 Rating: **
Chalk this up as one of the most unnecessary sequels ever made. The original, Paul Feig's modern-film-noir-comedy-thriller, was a nice little surprise, and worked especially during the first half as single mommy/blogger Anna Kendrick begins an investigation... 

Turning into a kind of girl-crush/lightweight-obsession with older and downright beautiful Blake Lively, providing both intrigue and suspense, and even sensuality, the only drawback being the casting of Lively's husband, who Kendrick cheats with, an actor seeming more suited to a sitcom... 

Blake Lively in ANOTHER SIMPLE FAVOR
Well he's only briefly joined by the two returning leads on a tropical island paradise... in what's more like the Knives Out sequel setting than a locale providing a logical continuation of the first film's deliberately over-bright suburbs... which director Feig served-up with an equal amount of genuine-suspense and crime-genre-satire... 

Making this new balmy location and the entire film itself a distraction to the fact that nothing really happens, as in, there's no real investigation to pull in Kendrick or the audience this time around. 

Anna Kendrick in ANOTHER SIMPLE FAVOR

MINORITY REPORT

year: 2002
rating: *1/2

Looking as if filmed with a lens splattered with icky green goo, MINORITY REPORT takes us into yet another Philip K. Dick future where the government does what seems the best for society (preventing murder) but is actually... no good at all...

The entire set-up is preposterous: Like MACBETH had three witches igniting the plot, there's a trio of half-naked bald people (one a hot chick) in a large tub of liquid within a formidable police station, projecting images of murders that haven't yet happened while Tom Cruise arrests the semi-guiltys and is soon enough... like the Film Noir/Wrong Man movies that inspired Steven Spielberg to try replicating (pun intended) the Neo Noir magic of BLADE RUNNER... framed for almost-murder and chased down like the criminals he used to... chase down: But the over abundance of now dated CGI, and the fact no characters have any chemistry with each other or the altered-reality world in which they reluctantly and awkwardly exist, makes MINORITY REPORT a tedious, tiresome waste of noisy bedlam.

CUTTER'S WAY

year: 1981
cast: Jeff Bridges, John Heard
rating: *1/2

John Heard, who'll either play a really nice guy or a complete jerk, is miscast as a crippled Vietnam war Vet named "Cutter," who'd have fared better with Frederic Forrest or Nick Nolte donning an eye patch and long hair. Heard seems to have a lotta fun spouting tons (and I mean, TONS) of drunken devil-may-care dialog, but still seems like he's being a pirate for Halloween. Jeff Bridges as "Bone" is a bit more natural as Cutter's yacht-selling playboy buddy who, one night after a one-night stand, witnesses a rich, powerful man (this we find out later) throwing away a dead woman's body into a trash can. And then, as fate (or really bad writing) would have it, the next day he JUST HAPPENS to see the same man as the head of a parade. Then it's up to Cutter to talk the reluctant Bone into doing the underdog thing... to turn in this powerful, greedy killer... after which our grungy heroes, with the moral badge of hippiedom screaming from their shoulders, fight to survive. Rarely have I seen so many actors trying to outdo each other: And all lose the race.

IN THE HEAT OF PASSION

title: IN THE HEAT OF PASSION
year: 1992
cast: Sally Kirkland, Nick Corri, Michael Greene, Jack Carter
rating: ***1/2

Sure there's a lot of steamy scenes, but this early-nineties Roger Corman production has a lot more going for it. Like Oscar-nominated actress (for 1987's ANNA) Sally Kirkland playing the bored trophy wife of rich man Michael Greene. While at a gas station, she meets hunky mechanic Jsu Garcia (then billed as Nick Corri). The two hit it off and really want to connect; especially Garcia, who makes every effort to do so. And by posing as a cable TV repairman, he talks his way into the bedroom where sexy Kirkland awaits. But what really excels this to greater heights is an action sequence involving Garcia, who's an actor on the side, being chased by mobsters and using this motivation in a scene from a movie (within the movie) with a similar plot line. But back to reality: what Garcia doesn't know is Kirkland (who's a personal friend of yours truly), like any effective Film Noir moll, hides a deep dark secret fueling a hidden, and perhaps lethal, agenda. And it takes a grade-A actress and actor to provide enough intrigue and intensity to make a B-movie really work.

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THE LOCUST EATERS (BRITISH TELEVISION)

One of those shows that doesn't work the way it's supposed to, but is still pretty good in a laidback, kind of neo noirish, hangout...