Showing posts with label robert deniro. Show all posts
Showing posts with label robert deniro. Show all posts

FALLING IN LOVE

year: 1984
cast: Robert DeNiro, Meryl Streep, Harvey Keitel, Jane Kaczmarek
director: Ulu Grosbard
rating: **

Robert DeNiro and Meryl Streep are two married, successful New York suburbanites who, after seeing each other on the same train, meet in a store where they start a conversation ("Don't we ride the same train?") and accidentally take each other's gifts. On Christmas Morning, DeNiro's wife gets Streep's husbands gift (a book on boating); and Streep's husband gets DeNiro's wife's gift (a book on gardening). That's the most clever aspect of this bland romance full of mumbling dialog and uncomfortably-silent conversations between two people who, although they have perfect marriages and beautiful children, should know better: but just can't help themselves. The major love scene is as sexy as mom and dad humping on a rainy afternoon, but, at times, the snail-paced build-up has a sort of mellow voyeuristic quality liken to French cinema, only without any depth or purpose. Harvey Keitel plays DeNiro's recently-divorced buddy, and it's strange seeing the wily thugs from "Mean Streets" as upper-class Manhattan yuppies. The movie sort of happens for a while, and then it's done.

BLOODY MAMA

title: BLOODY MAMA
year: 1970
cast: Shelley Winters, Robert DeNiro, Don Stroud, Robert Walden, Bruce Dern, Diane Varsi
director: Roger Corman
rating: *1/2

How can a movie directed by Roger Corman and starring Shelley Winters as a bank robber with sons played by Don Stroud, Robert Walden and last but not least Robert DeNiro not be great? Judging Corman films can be difficult since they don't aspire for much, but this is a lazy exercise in a filmmaker pushing an envelope with nothing inside. For DeNiro fans there's not much here. His character just stands around with a dumb look and every once in a while says something in an over-the-top hillbilly accent. Don Stroud is really the focal point as "Herman", the psychotic eldest son, but his performance does nothing but grate on the nerves. And Shelley Winters collects a paycheck. Corman produced BOXCAR BERTHA and CRAZY MAMA are much better.

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