THEM CROOKED VULTURES (music)

band: THEM CROOKED VULTURES

album: THEM CROOKED VULTURES

released: 2009

line-up: Dave Grohl (drums), John Paul Jones (bass), Josh Homme (guitars, vocals)

rating: *1/2

When I heard that Dave Grohl, one of my favorite "modern" drummers, who banged the skins on Nirvana's last two studio albums and then helmed his own outfit, FOO FIGHTERS, playing drums (along with guitars and singing) on the first two studio albums before allowing the Taylor Hawkins to take over completely... And John Paul Jones, bassist/keyboardist for the greatest band of all time, Led Zeppelin, had formed a band together... I was (to use the title of one of my favorite Foo Fighter's tunes) ECSTATIC! Grohl on drums, Jones on bass... and the lead singer from QUEENS OF THE STONE AGE, a band I never liked, provides not only lead vocals but lead (and rhythm) guitars as well. As most people can figure, a singer gets the last word while the guitarist paints the real picture. So in the case of this particular supergroup, the guy who paints the last word, Josh Homme... sounding like a wannabe Scott "Stone Temple Pilots" Weiland and creating riffs that are both repetitive and boring... turns what could have been a powerhouse band into... to quote Captain James T. Kirk... "Standard Orbit". You heard one song, you heard them all. And none are very good.

BROKEBACK MOUNTAIN

title: BROKEBACK MOUNTAIN

year: 2005

cast: Heath Ledger, Jake Gyllenhaal, Randy Quaid, Anne Hathaway

director: Ang Lee

rating: *1/2

Politically-correct types, in their usual knee-jerk manner, defending anything having to do with homosexuality, will shout these words if any related subject is brought up: "IT DOESN'T MATTER". So if someone is to say: "There's a film about two young men who fall in love", they'll shout: "IT DOESN'T MATTER". And in that, I totally agree. Yet if someone just happens to point out: "This movie is weak with no real plot and two shallow characters with no reason to be attracted to each other, other than both being attractive and alone on a lonely mountain"... I guess "IT DOESN'T MATTER". But it does to me, because any romance - whether centered on a man and woman - woman and woman - or man and man - has to be more than just "groundbreaking". There needs both chemistry and reason for that chemistry, so that the relationship, continuing to grow despite the odds, will truly and genuinely... MATTER!

BRUNO

title: BRUNO

year: 2009

cast: Sacha Baron Cohen

rating: ***

Putting aside the fact that every situation is contrived, and all the "participants" are obviously in on the joke, this is actually a funny movie about a gay Austrian wannabe fashionista's odyssey to become not just famous, but VERY famous. He does just about anything it takes, including becoming straight, for this seemingly impossible goal, and while the situations aren't always hilarious they are entertaining, and throughout the "skits", some of which are jabs at celebrities, like adopting a black child for publicity, and religion, like meeting with pastors who "make men straight", there is an actual love story that, bizarre as it seems in the buildup, becomes the very thing that bookmarks the film into something that feels legit despite the platform of setup, strikingly bogus interviews and confrontations. Just forget it's trying to seem real and you'll find yourself addicted to the main character's "stranger in a straight land" dilemma. The real humor lies in our hero Bruno's stubborn drive to keep his hectically flamboyant focus intact despite it working against him.

IN & OUT

title: IN & OUT

year: 1997

cast: Kevin Kline, Tom Selleck, Matt Dillon, Joan Cusack, William Duell

director: Frank Oz

rating: **

Matt Dillon's character, a straight actor playing a gay man in a war film, wins an Oscar and outs his teacher, Kevin Kline, who isn't aware he's gay; in fact he's about to get married to Joan Cusack. The first half is funny as Kline tries his best to prove against Dillon's theory; but the second half, after Kline comes out publicly, is pure Hollywood propaganda as it tries way too hard to dispose of small town prejudice: battling "homophobia" at every turn and and forgetting what it is... a light comedy.