THE LAST SUPPER (2025)

When you think about it, the best movies ever made, The Godfather and The Godfather 2, although loosely adapted from Shakespeare's King Lear, is very biblical in its ancient-based Italian-sourced deceptions and power struggles... And here was an opportunity for that original muse to imitate its imitator, having the two central characters, Judas and Peter, at surreptitious odds leading to the titular Last Supper, which, plot-wise, is hardly even treated like a light snack here...  

And while the acting was surprisingly decent, it was far too obvious who was who... For example, in the opening Feeding of the 500 scene: even if it were a silent film, the way one of the disciples timidly ducked his head into a shady cloak, it was obviously Judas, and he never let go of those contrived physical mannerisms, as if he were playing a junky-snitch on an episode of Kojak...

Meanwhile, Peter, while not badly cast, looking like a genuinely rugged fisherman, doesn't do enough to merit the inner-struggle he goes through during the initial prediction of the betrayal, and then the betrayal itself... It's almost like The Last Supper was trying to recreate a sort of after-game-highlights version of Mel Gibson's Passion (including the horror-trope Satan and the harshly whipped Jesus) more than narrowing itself into an effective thriller with built-in treacherous suspense straight from the source material... making the last half feel like an eternity. Grade: C—

MRS. SOFFEL (1984)

Based on a true story of two death-row-imprisoned brothers about to be hanged, and then rescued by the warden's wife... the titular character played by a classic-melodrama-suited Diane Keaton... these convicted killers have very little interesting about them, while the leader, played by Mel Gibson, looks like... well... a young Mel Gibson (opposite Matthew Modine), who just about any woman would fall for...

And being a likeable, wink-at-rebellion movie-rebel countered by a bullying guard, there's absolutely no edge (or glory) to his performance that would, in a better film, provide Gibson a possible Oscar nomination... he simply plays it too safe and affable here, as does the director... Who painted a deliberately bleak canvas nicely recreating turn-of-the-century rural America in its mahogany landscapes, dire factories and the actual prison... But what's here is more a Harlequin Romance montage than either an effective prison-plot-escape thriller or true story that needed telling: because storywise, MRS. SOFFEL is more whispered than spoken and, soon after, completely forgotten. Rates: **

HEAVEN'S GATE (MICHAEL CIMINO)

year: 1980

cast: Kris Kristofferson

director: Michael Cimino

rating: *

What makes Michael Cimino's infamous "Heaven's Gate" the biggest bomb in history? What makes "Heaven's Gate" one of the worst epic films ever made? Was it the four hour running time? Was it the fact that each scene went on way too long? Was it the rollerskating scene where a guy plays a fiddle for five minutes skating around the rink (a roller rink in a Western just doesn't mesh)? Was it the love story between a dull, overly-idealist town Marhsall and a plain looking prostitute and their superlong rides in a stagecoach? Was it the prologue involving graduates of Harvard giving speeches while we get numerous cuts to beautiful women who have nothing to do with the scene other than forcing us to realize that they find Kris Kristofferson sexy? Was it the dancing scenes in the same prologue that showed people spinning around endlessly without showing where the music was coming from? Was it the dialog; most of which was almost impossible to understand? Sure, these things didn't help. But what I hated most about this film is the characters: they're either really bad or really good. The bad ones, especially Sam Waterson... are so overly bad they should be wearing thin mustaches and, upon seeing them on screen, there should be an audince booing and hissing in the background. And the good guys... well, let's just say they're the polar opposite of the villains... Too good, too perfect. The polar opposite of this muddled disaster.