SUPERMAN IV: THE QUEST FOR PEACE (1987)

Most blame the low-budget (yet still effective) production studio Cannon Films for SUPERMAN IV: THE QUEST FOR PEACE being such an awful movie, but it's instead the fault of Christopher Reeve for the very reason he did the movie in the first, second and third place...

Set in the mid-1980's during the Reagan Administration: when Russia had nukes aimed at America and vice versa... only here the superhero plot demands the kind of urgency where The Cold War's turned into an impending/existential threat... which it NEVER was... an idealistic and childish plot with schoolchildren calling for Superman to get rid of all the nuclear missiles, and Gene Hackman has returned as Lex Luthor, burdened with godawful teenager Jon Cryer as a geek-punk nephew, so it doesn't even feel like Hackman's involved: His goal to sell nukes to opposing countries while having somehow gained the scientific knowledge to create his very own superhero, Nuclear Man, something so corny even a TV-movie would avoid it...

Meanwhile, Margot Kidder has returned, and even flies around with Superman, but she's wedged in during a romance with b-villain Sam Wanamaker's rich girl daughter Muriel Hemingway, who tries her best only she's stuck in the wrong picture... So don't blame Cannon for a lead actor attempting to manipulate audiences into thinking The Cold War was actually red hot... and by 1987 that anti-nukes concept was tired and dated anyhow. Grade: F

BORN AGAIN (1978)

Part Watergate political-historical biopic but mostly Christian propaganda that includes veteran actor (and our personal favorite) Dana Andrews quoting C.S. Lewis's Mere Christianity to a somewhat selfish, partially greedy and supposedly only-coincidentally guilty Richard Nixon lawyer Chuck Coulson thrown into jail; and that's where the good stuff occurs, especially thanks to the always-intense blaxploitation ace Raymond St. Jacques, the tough guy in the federal prison...

Who initially bullies and then protects Coulsin, played by Dean Jones, usually cast in Disney flicks as their then-modern-day Jimmy Stewart; thus that kind of man-next-door quality keeps this character-study down-home and intriguing albeit one-sided and self-promoting yet never boring but not altogether great either but, for what can be called a 2-hour cinematic Alter Call (resembling a Television Movie-of-the-Week), BORN AGAIN fits both the title and purpose, nicely enough to pass the time since these kind of preachy melodramas can often feel like eternity. Rates: ***/12

MAN OF THE YEAR

title: MAN OF THE YEAR

year: 2006

cast: Robin Williams, Laura Linney, Christopher Walken, Jeff Goldblum

writer/director: Barry Levinson

rating: *

Director Barry Levinson ran for president. Everything he believes in is here, and his mouthpiece is Robin Williams. Or is it the other way around? I know Barry wrote the script, but I'm still not sure how much was ad-libbed. Not enough to merit a good movie, or a decent premise, which builds shit-through-a-goose-quick during the opening credits: a Bill Maher/Jon Stewart type talk show host is told by an audience member he should run for President of the United States. He does, and wins. Kinda. Williams' hyperactive stand-up routines, one happening spontaneously during a planned Presidential debate, are nearly impossible to hear, and maybe that's good because what is audible isn't funny. A side-story involving a woman (and possible love-interest) who knows too much about a computer-voting glitch becomes the main focus, and Levinson juggles his dull documentarian-style comedy with a Redford-esque seventies-era political espionage drama, and fails miserably on both counts - at the same time.