Showing posts with label angelina jolie. Show all posts
Showing posts with label angelina jolie. Show all posts

GIA (1998)

Angelina Jolie playing Gia Carangi would be like, musically, if Jeff Beck played a concert celebrating Eric Clapton... while both Jolie and Carangi are knockouts, they're completely different kind of knockouts: Gia was subtle, more cute-gorgeous while Angelia's... well... Angelina Jolie and, acting-wise, is quite good here, wielding the kind of energy that steals her own movie... yet it often feels more like a biopic set during the 1990's than the 1970's/1980's...

The director's partially to blame, making GIA seem a bit too much of exactly what it is: a risque cable movie (or one of those Don't Do Drugs Specials without any specific reasons behind her using) that sporadically almost-reaches big-screen potential (the documentary-style interview/interludes mirroring another doomed beauty flick, STAR 80)... meanwhile the lesbian scenes with Kim Dickens needed to evolve past cliche lipstick chic... although they did both have terrific chemistry in their build-up, and, overall, Jolie's almost too good here, not seeming like she's portraying an actual former niche celebrity but embracing the fact she's on the verge of becoming a revered beauty-icon herself: Or like she's rebooting Gia's life rather than factually reliving it... which isn't too shabby, either way. GRADE: B—

Kim Dickens and Angelina Jolie
James Haven and Angelina Jolie in GIA
White Shadow star Joan Pringle in GIA


LOOKIN' TO GET OUT

year: 1982
cast: Jon Voight, Burt Young, Ann Margaret, Angelina Jolie
director: Hal Ashby
rating: **1/2

The first fifty minutes with Jon Voight and Burt Young as two unlucky gamblers talking about life and losing (one in the same for these guys) is very entertaining. They go from L.A. to Las Vegas, get set up in a Vegas Suite, and the freestyle fun continues as the fish out of water live it up. Then the bottom falls out when the film becomes a stupid "chase" film as our two lovable losers spend the last half of the film running away from the two fat silly thugs they shook in L.A. with a really bad electronic score in the background. Should have remained a character-study, and dropped the pointless action, which wasn't suspensful anyhow. Mostly known for a cameo by Voight's real-life daughter Angelina Jolie as his fictional one.

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